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Jessica Jonas

Jessica Jonas

Category Archives: Writing

Prices to Pay

07 Saturday Feb 2015

Posted by jessicamjonas in Writing

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ann bauer, laura bogart, writing life, writing sponsor

I’ve been reading with interest several posts from women who have been honest and brave about sharing some of the major sacrifices that often come with choosing to write. Ann Bauer and Laura Bogart opened up about their experiences with depending on someone else for financial security, or eschewing that “sponsored” security and pursuing the pride of independent accomplishment, even when that means time, money, and relationship sacrifices.

I’m more in Bauer’s position right now. After we returned from 6 months of travel, Andrew and I agreed the best career choice for me would be to pursue freelance writing full-time. I’d hustle to establish myself in a line of work that offers me flexibility and fulfillment, and Andrew’s salary would give us the stability we need. He is, arguably, my sponsor.

It does chafe, knowing that I am still struggling to contribute more than a sporadic check to our finances. I’m at least covering my start-up and training expenses, with a little left over. I don’t need to feel that Andrew is financially indulging a hobby, but the problem of not making “enough” money is that it’s all too easy to start thinking of the work as a pastime. On slow days, I wonder if people see me as a 21st-century version of an Austen-esque lady of leisure, taking up sending pitches and writing blog posts instead of doing needlepoint as a way of being properly industrious. It’s so tempting to hide the fact that I need my husband’s paycheck, because to admit that feels tantamount to identifying as a “kept” woman.

Except it’s not. I could get a job and moonlight freelance assignments, as I did when I lived on my own. I can work 50 hours a week, cut back on sleep, write until the moment I turn out the light, and sacrifice leisure time to make ends meet. I’ve done it before. There have been times where a Target and grocery run represented the bulk of my “fun” outings for the week. I was stressed and close to broke and so proud of the fact that I could make it. My bills got sent on time, I read poetry on the couch because I couldn’t afford cable, and in the midst of working as hard as I ever have, I was still writing. I can live like Bogart, who cares about the integrity of her “brass knuckles” life too much to really envy Bauer’s “golden handcuffs.”

Except I can’t. Because what jumped out at me in Bogart’s essay was her admission that she “has given up time with friends and any semblance of a love life” to secure precious time at the keyboard. Before I took on that 50-hour workweek (plus grad school, plus writing), I ran it by Andrew. Not to get his permission, as such, but because it mattered to me that he would support me emotionally, that he would stay. My scraps of free time at dinner or on those weekend errand runs were spent in his company. I needed my independence and that sense of pride and accomplishment, but I also needed a sense of intimacy and partnership. I love writing, but I will not sacrifice a committed relationship for it. It’s too high a price to pay.

So here I am, still craving financial self-sufficiency as a way to prove my writing matters, still unwilling to budge on having a marriage and family. It’s not a mutually exclusive set of desires, even if sometimes it feel like it might as well be. Bauer and Bogart’s essays scare me because they represent extremes of how “real” writers make it work, and they key into my self-doubt. I don’t have Bogart’s fierce resolution to commit to writing above all else. I don’t have Bauer’s sense of ease with setting her own standards for what counts as successful. I’m still somewhere in between, wanting to have it all, hoping that being in between sides doesn’t disqualify me.

It really is good, though, that writers like Bauer and Bogart are sharing themselves so frankly. Writing isn’t an easy gig. It’s often undervalued and over-romanticized. Sacrifice is part of any writer’s life, in time or money or freedom or love. Talking about it publicly is one of the ways that we can help each other understand the real prices behind a writing life, and learn to discern for ourselves what we are able to pay.

Why You Should Do NaNoWriMo This Year

31 Friday Oct 2014

Posted by jessicamjonas in NaNoWriMo, Writing

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nanowrimo, writing

It’s Halloween, which for most people means spooky thrills and candy. Maybe a night out dancing, maybe a night in watching scary movies…or maybe, if you’re planning on writing a novel during National Novel Writing Month, reviewing your notes and wiggling your fingers over the keyboard, itching for the stroke of midnight that will kick off 30 insane days of writing.

I’ve done NaNoWriMo four times (every odd year since 2007), and to be honest, it’s been life-changing. I don’t always play by the rules. Two times, I’ve cranked out short stories by the dozen during November instead of a novel to hit the magic 50,000 word threshold. I don’t always like what I write. My first novel, the one I wrote in 2007, was so horrifically bad that I try to pretend it never existed (and it doesn’t, anymore–I trashed it years ago). Out of the 40 or 50 stories I’ve written between my two short-story themed NaNoWriMo years, maybe 10 were good enough for me to go back to and revise. Maybe.

But I’m actively working on the novel I wrote in 30 days last year, and half my graduate thesis stories began during a November writing frenzy. Good things come out of participating in the wild writing, late nights, and encouraging community that is NaNoWriMo. Here’s a few things I’ve learned:

I can make a lot more time for writing than I often do. It’s easy for me to blame my mood or my schedule, but there’s more downtime (or even wasted time) in my typical day than I notice. When I’m committed to getting 1,667 words out per day, those pockets become magic productivity slots. Now, I am also fortunate enough to have a husband who’s willing to cook (a lot) more and give up some relaxation time to let me meet my goal. Without his enthusiastic support, my NaNoWriMo experience would be a lot different. I also want to point out that I’m not suggesting I could write like I do during NaNoWriMo year-round. It’s too intense. But with that said, discovering how much I can accomplish inspires me to devote more time to writing, even when I don’t feel like it.

The words do come. Writer’s block sucks. It’s a kick in the gut to have bad ideas, or no ideas at all. It rattles your whole sense of self as a creative person. During NaNoWriMo, though, writer’s block isn’t an option. Forums are bursting with challenges, word sprints, and other techniques people share to help each other make the words come even when it feels impossible. Lately, I’ve been sitting down in the mornings with a timer and no distractions allowed. If I don’t write, I tell myself that’s fine, but I can’t do anything else. (I’m borrowing this practice from Ann Patchett, as well as many other writers, doubtless.) You know what? The words have come every single time. Turns out an hour of silence beats my writer’s block every time.

Giving yourself permission to be bad can help you write better. I found the emphasis on quantity over quality during NaNoWriMo (and several forum discussions on silencing the inner editor) helped me loosen up and just go for it. Sure, 80-90% of what comes out is dreck. But some isn’t, and considering the sheer amount I had to write, I end up with more good writing at the end of November than in two or three months of writing when I feel like it.

Now, I’ll admit this is a little strange for me to talk about given that I won’t *technically* be doing NaNoWriMo this year. It’s an even year–I take those off :-P. Between editing my novel and hustling for freelance clients, my writing life is full enough without adding another 50,000-word project into the mix. But I had to write this for anyone who might be on the fence even now: NaNoWriMo, over the years, has changed my writing habits and my writing for the better. If you’re thinking about doing it, if you have a plan or don’t, please try it. And finish it. Push through the slumps and the headaches and the worry that this heap of words is useless, and tilt at the 50K windmill anyway. You’d be surprised by what can happen.

Aside

A Light Bulb Going Out: The Weird Way I Cured My Writer’s Block

29 Monday Jul 2013

Posted by jessicamjonas in Uncategorized, Writing

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beating writer's block, when the writing isn't happening, writer's block, writing, writing life

On Friday, I had a bit of a meltdown. It had been a hectic week, I was jealous about the successes my writer friends were posting on their Facebook pages, and when someone honked at me for no reason on the ride home, it was the last small indignity to push me over the edge.

I had been sitting in the downstairs bathroom for about 10 minutes with the lights out, feeling sorry for myself, when my husband poked his head in the doorway and astutely said that this did not seem like normal behavior, and that he had deduced that probably something was bothering me.

Obviously there was more than one problem on my mind that evening, but one of the things that came out in my tearful rant in the bathroom was that I was in the worst stretch of writing my current story: unsure of the ending, doubtful of the characters, hearing the disdainful voice in my head that pops up to suggest I scrap the whole thing. I knew taking time to get productive writing done would make me feel better, but all my inner negativity made it harder than usual to get my butt in the chair and do it.

So I wrote in the bathroom while Andrew made dinner. Silence is good. Privacy is good. Even darkness was good that night (that’s right, I sat in my powder room for 25 minutes typing by the glow of the laptop only!). I realized that in the depths of my self-conscious stretch, what I needed in order to function creatively was to feel like no one would be able to tell if what I was writing was bad. Being in a quiet space where no one could ask me how it was going (or know not to ask by my expression) helped ease my nerves. In the dark, I could even, oddly, pretend the room was truly empty–that I wasn’t even there–and use that to confuse my inner critic into silence. I felt a little silly, but by dinnertime, I had almost 400 words written.

Tonight I’ll be back in my usual spot for writing, but I’m filing away the weird trick of literally shutting myself away and turning off any other distractions–even the lights.

Let me know if you try a dark writing session, or if you have other weird rituals that help you shake off a block!

Self-Publishing: The Problem of In-Between

16 Tuesday Jul 2013

Posted by jessicamjonas in Books, Goals, Publishing, Writing

≈ 4 Comments

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books, marketing, self-publishing, writing

I’ve reached a stage I’m sure is common to many self-published authors: the decision of whether to invest in a second print run. I had a great first response to Room Full of Strangers. Between book sales and trades with the other writers I graduated with, my initial supply of 100 copies has dwindled to fewer than 20, which I am thrilled about. However, 20-odd is still a stack of copies, and I’ve reached out to the obvious circles of friends, co-workers, church family, and so on. I do have a few ideas up my sleeve to put my book out there, but the question, “Is it enough?” is a tough one to face.

Arguments for: shows greater faith in book, eliminates ‘limited copies’ as an excuse to avoid readings

Arguments against: it would cost about 3/4 of the money I made from book sales so far, I don’t have a concrete plan for how to sell an additional 100 copies

I haven’t made a decision yet, so I’ll put it out there: what would you do in my place? (Or, if you’ve published and marketed your work, what did you do?)

A New Relationship with Writing

16 Wednesday Jan 2013

Posted by jessicamjonas in Writing

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making time to write, writing, writing life

Wow, what a winter break of revisions it’s been! I am proud to say I mostly stuck to the plan I made in December. Starting with an idea of what changes I wanted to make to a story helped keep me from getting (too) overwhelmed when I sat down to work–and I did sit down to work. Almost every day, sometimes for 5 minutes, sometimes for more than an hour. As a result, I’ve revised 6 of the 7 stories I plan to include in The Book and am considering adding an eighth to the collection, if I can get it done in time.

I’ve also been thinking about the fact that, more than in any other semester, this year’s break has been a sign for what Life After School might be like, writing on my own momentum, fueled by my own desire to put out the best stories I can. It’s changed my mind about my goals for writing this year.

It’s always mystified me to hear people talk of a deep “need” to write, as though their sanity hinges on it. You know that stereotypical artist’s parent who’s contemptuous of the child for not having a “real” career? That’s been me. I don’t like to admit writing can be fun, even when I do it in my spare time, even after I have a good session and my story’s all I can talk about for the next hour. It’s starting to seem ridiculous to keep this grudge against what I do around.

This year, instead of resolving to write every day, churn out a set number of stories, hit time or word goals, or meet similar numerical quotas, I want to accomplish something I imagine will be more rewarding and lasting: I want to take my relationship with writing to the next level. I pledge to do my best to remember that writing is fun and fulfilling, and to approach my laptop at the end of the day with a welcoming spirit. I promise to use quantifiable goals and quotas as tools to encourage me to write, not an end in and of themselves. Most importantly, I promise to keep going after my grad program is over, even if no one’s reading. Sooner or later, if I put joy and work into it, someone will.

The Book, Step 1: Tackling a Revision Plan

11 Tuesday Dec 2012

Posted by jessicamjonas in Books, Publishing, Writing

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grad school, making time to write, revising, The Book, writing life

The semester is over! Hooray! And it ended on a high note: my professor left me the most positive review yet of my last story. I’m feeling bold enough to consider submitting it for publication once I put in a few more edits. It’s nice to end the semester with a dash of bravery.

What makes the jolt of self-confidence particularly welcome is that this winter break I will be preparing my manuscript. This past semester gave me a much stronger feeling for what people notice most in my writing and what I might like to highlight, but I’m looking at at least one more pass on every story I’ve lined up. I don’t want the break to slip away from me, so here is my Revision Plan, a guide to help me make the most of my time and relax over the holidays, too:

how i write

  1. Count stories. Count days/weeks. Plan accordingly. Know when to move on to a new story that needs attention instead of picking endlessly at one.
  2. Start by identifying the issues. Note the most common critiques or the areas I see as most in need of revision to avoid wasting time wondering where to start.
  3. Focus on the big stuff first. Minor language edits are easy enough to sneak in at the last minute than character development, a shift in pacing, new dialogue, or even additional scenes.
  4. Spread work out over multiple sessions. I usually get more done in three 30-minute sessions than one 90-minute slog. It helps me to think about the story and come to a more creative solution to a problem during my “off” time and keeps me feeling more focused and relaxed while I’m in front of the screen.
  5. Put in as many days as possible. Ten minutes spent fixing a paragraph means now I have a fixed paragraph. It’s still worth it.
  6. Keep a positive outlook. However tough this project is, I’m working toward my first book, and that’s something to celebrate! Just try to save most of the congratulatory wine sipping for after the night’s editing is done…

Seeing the Light

16 Friday Nov 2012

Posted by jessicamjonas in Books, Goals, Publishing, Writing

≈ 1 Comment

Tags

books, grad school, publishing, The Book, writing, writing life

I registered for my last grad school class! There are only 3 class sessions left in this semester, and then one semester’s worth of design, editing, and production, and then (knock wood) I’ll burst out the other side of school into a world where I have my degree and all my evenings to myself. Not to mention that I’ll be a published author.

One of the things that excited me most about the program I chose for my MFA was that instead of amassing a manuscript for my thesis, I’ll get to go through the whole process of designing and publishing my work, with instructors and peers there to mentor and support me through the process. It’s an incredible thought after the 8 years I’ve spent studying and practicing writing, and despite my professor’s advice to the contrary, I haven’t been able to help daydreaming about the content, organization, and cover design for my first leap into the shelves.

It doesn’t feel quite real yet. I imagine it won’t until January, after I’ve revised this semester’s work and put together my rough manuscript (once I hold that in my hands I know something is going to click!). But the first rosy glimmers of “this is real” and “I’m going to be done” have arrived. I’m starting to feel more excited than nervous about what the next 6 months will bring.

Reading Dead Writers

12 Friday Oct 2012

Posted by jessicamjonas in Books, Publishing, Reading, Writing

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books, michael crichton, reading, writing

I just finished Micro, a novel “by” Michael Crichton. I use the word “by” a little loosely because Crichton died while writing it, and the book was completed by another writer. It was still okay, but it missed some sharpness. There were summarized passages that I felt sure would have been explored more vividly if Crichton had lived to revise. Reading that last book got me thinking about what happens to manuscripts when the writer has died.

Micro isn’t the first example of a book that was a work in progress (sometimes barely more than a few drafted chapters and some Word files full of notes) that was finished by another writer. I will admit it’s one of the few I’ve read, mostly because a few dips into posthumously completed novels, including some I really love (Douglas Adams comes to mind) has taught me that a lot of what I love in an author’s voice comes later in the revision process.

I’m a voice girl when it comes to reading. Plot and character matter, of course. The premise better be interesting to make it on my favorites list, and the ending should count. But I will forgive a lot of sins on the basis of a great narrative voice, and I’m quick to put down almost any story if I don’t care for the way it’s told. It’s hard to get voice right on a first draft–it’s the kind of plaster or molding (I don’t know enough about carpentry to keep this metaphor accurate–whoops!) that you can only worry about when the scaffolding of the story is in place.

These days, editors don’t have much time to do extensive developmental editing with writers before the book is published. This is in many ways an unfortunate thing–a good editor can help a book cross the last inch (or more!) from a workable manuscript to a masterpiece. But that’s another story for another day. The point is that I think the authors themselves, and their personal communities of hand-selected readers, are the ones shaping most books today. A publisher assigning someone else (hopefully also popular in the same genre, to attract sales and ease suspicious readers’ minds) just isn’t the same to me. The question, then, is should the work stop if the author is no longer alive?

I know there is a lot of important work that happens after the writer is done putting words on the page (I wouldn’t be working in publishing if I thought that wasn’t true!). I know there are agents and even some editors who still take a strong personal interest in a book. But although I can understand the fans’ desire for just one more book and the publishers’ for one last good sale from an author, the writer side of me feels an uncomfortable twinge imagining an unfinished book going out. There is no last chance to review the book, or change it. There’s more possibility for anyone to say “close enough” to a not-quite-polished page. We should be grateful we even have this much, right?

Not me. I want the last book I read by a beloved author to be a proper send-off, with all the qualities I love in the work that got me hooked in the first place. I’ll miss out on a glimpse at the new characters and ideas my favorite writers were creating at the end of their lives, but I want that wonderful voice in my head to stay the same.

Should death be the final deadline for an author’s work to get published, or is it better to find a way to publish what they’ve left behind? I’d love to hear your take.

First Month Results

02 Tuesday Oct 2012

Posted by jessicamjonas in Goals, Writing

≈ 2 Comments

Tags

goals, making time to write, sometimes goals are hard, writing

In September, I made it to 727 out of my 1000 minutes writing/month goal. I didn’t meet my goal (this time), but here’s what I learned:

  1. Having a goal to push toward works for me, even if I don’t quite get there. I spent just over 12 hours writing last month, which came out to revisions on 3 stories and about 5 pages’ worth of drafting toward a new story.
  2. I like goals that let me daydream. Unlike word count goals, which ultimately only count the moments you’re typing, a time goal allowed me to acknowledge the thought I put into my writing and revising. The ticker keeps ticking while I think about the right way to express a thought.
  3. The flexibility was awesome. Some nights I did 10 minutes. One Sunday I hit 90. Overall, my average comes to a little over 20 minutes a day–not a bad start!
  4. 1000 seems to be the right goal for me to set. It’s clearly tough, but I can think of a few nights when I probably could have put in another 10 minutes or so, and a weekend day or two when I blew off writing to do other fun things. Next time, if I’m going on a day trip with Andrew, I’ll write in the car in 10-minute bursts.

I’m doing a modified goal this month–500 minutes–in light of the fact that the wedding and honeymoon eat up the latter half of my October. After that, I think I’ll keep shooting for 1000!

What Are Your Rules for Writers?

14 Friday Sep 2012

Posted by jessicamjonas in Writing

≈ 6 Comments

Tags

rules for writers, writing, writing life

This week in class, we read Colson Whitehead’s smart and often hilarious advice on How to Write. Based on that, I put together my own list of rules. They’re personal, based on what works for me and the traps I struggle to avoid, but I wonder if some of them might be more broadly applicable as well:

  1. Resist the urge to summarize. Writing should move forward. Summaries, at least in my experience, all too often are safety cushions against a braver ending.
  2. Start with what you know. Fiction by definition wouldn’t exist without improvisation and exploration, but it’s equally essential to ground a story somewhere. Emotions are good starting points.
  3. Never show anyone your first draft.
  4. You know what, don’t even talk about the story until draft 3. It’s so fragile in the early stages. Volatile, too. Anything you say about the story may well be better than anything you’ve written down so far, and you won’t remember it later.
  5. Write the part of the story you’re excited about first, regardless of whether you’ve written it yet.
  6. Be flexible, both inside and outside of the story. Write Every Day only works until the first case of food poisoning. Make rules you can stick to, and don’t write drafts so rigid you can’t follow a better idea.
  7. Have fun with revising. Cutting a story up with scissors is a good way to quickly try out new scene arrangements and keep in touch with the fearless inner kindergartener at the same time.
  8. Write scenes that aren’t even supposed to be in the final version for the sake of getting to know the characters better.
  9. If it’s in because it makes you feel clever, it probably shouldn’t be in.
  10. Writing in any subgenre has the potential to be literature (here’s to you, spec fic).

What writer’s rules do you swear by?

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