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Jessica Jonas

Jessica Jonas

Monthly Archives: February 2011

Why “Taking the Bull by the Horns” Feels Particularly Apt

28 Monday Feb 2011

Posted by jessicamjonas in Uncategorized, Writing

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publishing, submissions, writing, writing life

“Submission” is a funny word for the process of sending out work. It makes it feel like it should be a passive process. My mind goes for the classical Greek metaphor, imagining some demure temple acolytes padding silently toward the altar of Publishing, clean white papers ready in hand for the sacrifice. Then, once it’s gone, it’s gone, to be accepted or rejected according to the whims of the Editors.

That’s the tricky part, you see: the acceptance or rejection. That’s what means that submissions cannot be passive, or all that submissive. It’s a lot more like the version of sacrifice where you need six or eight muscular men and thick ropes to drag some roaring animal up to where it can already smell the blood of the others. The Publishing Gods are more known for their silence and disapproval than their welcome, you see, so offerings have to be frequent and animated enough to call the attention of those who see thousand similar creatures every day. It is exhausting even to think about. Maybe there are other writers who can flippantly whip submissions into the mail, but I am not one of them. I need a certain amount of prep time to psych myself into looking up magazines, reading guidelines, looking up whether that editor with the ambiguous name is a Mr. or Ms., and shuffling through the stack of things I want to send out. By the time I get through two or three of these, I’m feeling pretty beat, which is not so good if I figure an honest-to-goodness freelance writer must have to send out dozens every week.

I do realize, however, that it’s really silly to make myself a cute little writer’s site if I’m only going to be publishing blog posts. So today I sent off five pieces in one swoop, all different: a memoir essay, a story, a handful of poems, an article, some recipes. If nothing else, you cannot fault me for not offering something from any genre I know how to write. And it does feel relieving to see them crossed off my list, even if I’m feeling a little drained. Now to see if the offerings appeal, right? Editors, I believe it is your move.

The Elephant’s Journey

23 Wednesday Feb 2011

Posted by jessicamjonas in Books

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books, elephants, jose saramago, literature, nobel prize, the elephant's journey, top-shelf, what I'm reading

I have such a crush on this book, I hardly know where to begin. I picked it up because Jose Saramago won the Nobel Prize for Literature (although this wasn’t the book that won him the prize). Most of the writers I turn to have won something, although it’s typically the Hugo or Nebula, or some other more niche recognition. Reading Nobel winners’ novels is one of those things I felt like I should do because it would be good for me, not necessarily something I thought I would enjoy. I always expected that the works would be deep and thought-provoking, but I felt like this element would probably come at the expense of entertainment. I’m happy to say that, at least in this case, I was wrong.

How do I explain what makes this book so wonderful? The plot is fairly straightforward: the king of Portugal, regretting having bought an elephant named Solomon who doesn’t do all that much besides eat tons of forage, decides to foist it off on a relative, the prince of Austria, using the Austrian’s wedding as the excuse, because if an elephant doesn’t make a statement as a wedding present, what does? The mahout, Subhro, and a company of assorted military personnel are selected to escort Solomon to his new home, and so they proceed. There are of course multiple encounters with people in various villages along the way, but that’s not why I’m all warm and pink about this book. (Also, while I stand by the fact that the plot is straightforward, when I see it summarized I am struck by its oddities, as well).

What makes The Elephant’s Journey so magical is the way it’s told. Saramago clearly has so much fun playing with what it means to tell a story that it’s impossible not to catch his enthusiasm. There is the moment, for example, when a character disappears—plof—and Saramago is moved to dwell a moment on what a lovely thing onomatopoeia is. “Imagine if we had to describe in detail a person suddenly disappearing from view,” he says. “It would have taken at least ten pages. Plof.” There’s so much playfulness and curiosity in the writing, and I love how Saramago invites us into easy familiarity with him in his act of putting down the story. The other amazing thing is how The Elephant’s Journey looks at what is strange and what is normal. The elephant, Solomon, himself is odd and mundane at the same time–prized by royalty in two countries for being exotic, but spending most of his time eating, sleeping, and leaving steaming messes for his keepers to clean up. Even the people in the villages the company passes through get used to the idea of an elephant in a matter of days. The book often treats human relationships as stranger things, such as the hilarious, absurd exchange between two military officials who essentially want the same thing, but escalate a dramatic list of bluffs, boasts and threats to ensure they can have it on their terms, or Saramago’s shudder at a royal husband who would go on to impregnate his wife sixteen times: “Monstrous.”

Of course, Solomon is the heart of the story, as is fitting for any story that even contains an elephant, and much more so when it stars one. It is beautiful to see the ties between him and the people around him, and to feel all the subtle transformations, and to feel subtly transformed.

This books is ideal for: people who love elephants, people who love stylistic playfulness, Portuguese lit fans, “serious” readers who still want pleasure in their reading

 

Take Two Poems and Call Me…

20 Sunday Feb 2011

Posted by jessicamjonas in Growing Up, Poetry

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poetry, the apartment

One of the things I’m realizing is how quickly you discover new things about yourself when you have your own space. I was over-the-moon excited about how I got my new place decorated. I refused to buy anything that clashed with my vision of what my first independent home was supposed to be, and the result paid off. It feels elegant to me, modern, full of things I find beautiful. It’s just the kind of retreat I’ve imagined, and new aspects of me are blooming.

For example, at least now in the honeymoon period of apartmentdom, I am considerably neater. It helps having the physical space to put my things, but it’s also the idea that it’s mine now, and if I want a clean kitchen or living room, it’s down to me to load the dishwasher and grab the dust cloth.

Did you know I am the kind of person who reads poetry every day? I didn’t.

When I was little and my dad had to put my sister and I to bed, he wouldn’t read us bedtime stories. He tried, at first, but since we were  tiny and lacked a developed sense of social sympathy, we rejected his attempts at reading stories to us because he didn’t do the voices the way my mom did. His response? He turned to poetry (cool guy, my dad). He had this tattered, orange book from the Childcraft series and we would read poems together.

Childcraft book

My first poetry book

I had the entire first section of that book memorized. They were nursery rhymes, so they were easy, but I knew every one, every line, in order, the way you might know what song comes next on a favorite CD. I knew others in the book by heart, too. I still remember “The Lamplighter,” on page 103. I recited it once at camp. I still love “Vagabond Song,” the quintessential October poem, that I heard first at bedtime with my dad.

Perhaps because of this, I have very good associations with poetry. If I’m in a used bookstore, or have a Borders gift card, or poke through the 50-cent library discards, I am likely to leave with a book of poems in hand, more often than not by someone I’ve never heard of. I don’t read a whole lot of poetry, you see. I can only take in three or four poems in one go, max, so if I’m going to fill a 30-minute Metro ride, I need something else to pass the time. I don’t even really like reading poetry in noisy places. I’m romantic like that. I like the quiet room and the cup of tea to be there. The result is that I read lots of novels and stories, and tell people I love poetry, and then look blankly at them when they rattle off their favorites, because I don’t read it often enough to keep up.

This, of course, brings me to my current living situation. I don’t have the tea yet, in full disclosure, since grocery bills are freaking me out a little, and my first response is to cut the little indulgences, but I do have the poetry. Stacking and unstacking my bookshelf really brought it home: I have over twenty books of poetry. I have anthologies, I have trendy poets and poets who were trendy thirty or forty or fifty years ago, I’ve got books so pristine the spine isn’t even wrinkled and some that will need tape soon to keep their covers together. And I haven’t read more than two or three of them, until now. Now I can sit on my white couch in my quiet living room or lie in bed or on my kitchen floor if I want to and read poems. I’ve been doing a little experiment, starting and closing each day with a poem. I grabbed one of the anthologies, for variety, and it sits by my bed and every morning before I even groan that it is too early to be awake I read a poem, and then at night when I reach a good stopping-point in whatever other book I’m reading (or just get too tired to continue) I mark the page and get the anthology and read another poem, just before I turn out the light. It’s wonderful, bracketing my days in poetry, and while nothing was stopping me from doing this before, I never realized how beautiful and soothing a thing to do it was until I spent some time just listening to my own thoughts in this empty apartment.

Trouble with Time

16 Wednesday Feb 2011

Posted by jessicamjonas in Writing

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making time to write, steps back

I’ve hit a problem with writing every day. For a while, it worked fantastically well to pull up a blank Word document when I got to work in the morning, type out a sentence or two whenever I had a moment and inspiration hit, and email myself the result at the end of the day. I was hitting anywhere from 200-1000 words in a day, making great progress on the story, but suddenly it’s not working anymore. The main issue I’m finding is that as my story progresses and complicates, it’s harder to remember where I left off. I’m starting to amass a collection of fragments and scenes without a solid connection to the previous pages of the story. When I get home, it’s about all I can do to sort out the general order of what takes place when, and more often than not I’m too tired to get in there and start writing the passages connecting what I’ve been working on. It’s getting to the point where I’m writing maybe three days a week, and I’m starting to feel frustrated. I’ve been trying to think what I should do instead, and the main idea I’ve got now is to take my laptop to work with me, so I can write on the Metro and maybe hit a few hundred words during lunch hour. It means lugging another bag around with me, but I’ll have to see if that helps me get back on track with keeping writing a priority.

More than a Room

07 Monday Feb 2011

Posted by jessicamjonas in Growing Up, Writing

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steps forward, the apartment, writing life

Big news: I finally made the leap! After years of dreaming and months of scraping every last dime together, I’m in my own apartment. Ms. Woolf’s making me smile lately, because I still have trouble believing I have more than just a room of my own these days. There’s a whole one-bedroom apartment with my name on the lease and my own decorations inside it — I even get a little patio/balcony so I can write outside when the weather warms up. It does mean for a while my commute to the law office job is going to hurt (I’m near Baltimore now, and the office is in D.C.), but it’s worth it for the independence.

The main thing I’ve been telling Andrew about this apartment, over and over and over, is “I have a vision.” And that’s about more than the furnishings, although he’s heard ad nauseum about white couches and dark wood furniture and modern, abstract floral rugs in black and white and red. It’s about creating the kind of space I’ve daydreamed writers live in. I promise I do know being a writer is not as simple as surrounding yourself with the trappings you think the cool writers have, but trying on the shoes does wonders for the confidence. I’m looking forward to making meals in my new place and entertaining my friends, but also to growing into a newly vitalized sense of where I want this writing thing to go.

The experiment now, in the interest of disciplining myself to submit as well as write, is to send out one piece or query every weekday. It’s going to be tough to do both submitting and writing as well as keep up my schedule (I have to admit I haven’t written any more of my novel in about a week — between making last preparations for the move and doing my homework for Experimental Forms, I was too pooped after work to rouse myself to the keyboard again), but not even Ray Bradbury says writing is easy. Exhilarating, when it’s going well, but even that doesn’t mean easy. I sent out a pretty neat query today about diary-writing, and probably it’ll get shot down, but what’s important is not only that I did it, but that I put some preliminary research into it, too, so I’m not just throwing out whatever’s on the top of my head (that’s what the blog is for!). And that when that rejection email comes, I’ll get to read it in my brand-spankin’ new shiny apartment. Once I call Comcast to come bring me the Internet, that is. Moving sucks.

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